Showing posts with label Direct_Experience_Of_Reality. Show all posts
Showing posts with label Direct_Experience_Of_Reality. Show all posts

Friday, June 01, 2007

Psychosis or Transcendence?

To the left is my version of Fritjof Capra's famous 'Cosmic Dancer'.

Click to enlarge.

The original 'Cosmic Dancer' by Capra has a dancing Shiva surrounded by cosmic particles and lit up cosmic particle streaks.

Instead of Shiva, I have portrayed supermodel Cindy Crawford as the Cosmic Dancer here. Much more appealing to the eye. ;-)

This version of the cosmic dancer was made by me using a playboy photo of Cindy Crawford and Adobe Photoshop. Its my first attempt at photomanipulation.

Fritjof Capra is the author of the cult book, 'The Tao of Physics' which compares the parallels between mysticism and modern physics. A book inspired by none other than Werner Heisenberg, one of the fathers of quantum physics.

On Page 360 of The Tao of Physics, Capra writes on Werner Heisenberg's role in his project:

Heisenberg's book 'Physics and Philosophy', his classic account of the history and philosophy of quantum physics, exerted an enormous influence on me when I first read it as a young student. The book has remained my companion during my studies and my work as a physicist, and today I can see that it was Heisenberg who planted the seed of The Tao of Physics. I was fortunate to meet Heisenberg in the early 70s. I had several long discussions with him, and when I finished The Tao of Physics I went through the manuscript with him, chapter by chapter. It was Heisenberg's personal support and inspiration that carried me through those difficult years, when I went out on a limb to develop a radically new idea.
i.e. Werner Heisenberg, one of the fathers of quantum physics, endorses mysticism---something that is not about 'rational thinking', but about 'feelings and meditative awareness'.

In the introduction to The Tao of Physics, Capra writes:

Five years ago[1969], I had a beautiful experience which set me on a road that has led to the writing of this book. I was sitting by the ocean one late summer afternoon watching the waves rolling in and feeling the rhythm of my breathing when I suddenly became aware of my whole environment as being engaged in a gigantic cosmic dance. Being a physicist, I knew that sand, rocks, water and air around me were made of vibrating molecules and atoms, and that these consisted of particles which interacted with one another by creating and destroying other particles. I knew also that the Earth's atmosphere was continually bombarded by showers of 'cosmic rays', particles of high energy undergoing multiple collisions as they penetrated the air. All this was familiar to me through my research in high-energy physics, but until that moment I had only experienced it through graphs, diagrams, and mathematical theories. As I sat on that beach, my former experiences came to light; I 'saw' cascades of energy coming down from outer space, in which particles were created and destroyed in rhythmic pulses; I 'saw' the atoms of the elements, and those of my body participating in this cosmic dance of energy; I felt its rhythm and I 'heard' its sound, and at that moment I knew that this was the Dance of Shiva, the Lord of Dancers worshipped by the Hindus.

I had gone through a long training in theoretical physics and had done several years of research. At the same time, I had become very interested in eastern mysticism and had begun to see the parallels to modern physics. I was particularly attracted to the puzzling aspects of Zen which reminded me of the puzzles in quantum theory. At first, however, relating the two was a purely intellectual exercise. To overcome the gap between rational analytical thinking and the meditative experience of mystical truth, was, and still is, very difficult for me.

They [readers of this book] will find that eastern mysticism provides a consistent and beautiful philosophical framework which can accommodate our most advanced theories of the physical world. Mysticism is an experience that cannot be learned from books.

What Capra describes in the above passage is a 'satori' or a state of sudden, temporary illumination of the mind. When higher mental faculties open up suddenly (if only temporarily), a vision that can (sometimes) be translated into a work like The Tao of Physics, is 'seen'.

The reader must have noticed that Capra writes he "saw" the atoms......"heard" the sound of energy dancing. He writes this way because he is not talking about literal seeing or hearing. This is a reference to the opening up of the mind. Or Consciousness expansion. OR...STEPPING BEYOND THOUGHT, INTO THE REALM OF DIRECT EXPERIENCE WITH REALITY.

In my post on 'beliefs', I have written:

"All of us have direct experiences with higher truths, but most of us dismiss them as vague feelings or temporary mental dysfunction.....but there are some who don't....not saying 'hallucinations' are not mental dysfunction---what I am saying is not all 'alleged hallucinations' are mental dysfunction. Some may be visions. Satori."
In Capra's case, it was a genuine satori that inspired him to write The Tao of Physics.

An experience with satori is not a 'rational' phenomenon. It is not psychosis either. It is transcendence.

The Tao of Physics is full of examples of how mystics gather information. It is pretty direct about how mystics realise higher truths by transcending the known world. Werner Heisenberg endorsed it all. And I doubt Werner Heisenberg was deluded or insane.

*** A short note on satori: My understanding of satori is that it is a sudden & temporary illumination of the mind. As compared to Enlightenment, which is sudden and permanent.

Tuesday, March 06, 2007

The Mental Lens (The Hostile Emotional World)

A proper understanding of this blog entry is necessary to understand my post 'Spiritual Sex Part 1'.

Definition: The Mental Lens = Tensions, frustrations and other similar feelings that are connected to the past and the future.

Introduction: When one is totally in the NOW, the current moment, one's sexual experience heightens. The NOW is a state of mind wherein one's mind is free of past bondings, frustrations, and worry about anything related to the future.
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A very good example of the 'direct experience of reality' is being in the NOW. The current moment. But this is very difficult to manage because of the(primarily hostile) emotional world of the human being, which forces him/her to live either in the past or in anticipation of the future.

Pink Floyd in their song 'Sorrow'(from 'Momentary Lapse of Reason'/'Delicate Sound of Thunder') sing:

A man lies and dreams of green fields and rivers,
But awakes to a morning with no reason for waking
He's haunted by the memory of a lost paradise

He's chained forever to a world that's departed
It's not enough, it's not enough...
His blood has frozen & curdled with fright

They are singing about what I am talking about in this post....the 'mental lens', and the emotional world that leads to it's creation.

A man lies and dreams of green fields and rivers
(Lack of acceptance of the current life situation, dreaming of a future nirvana.)

He's haunted by the memory of a lost paradise
Chained forever to a world that's departed, it's not enough it's not enough...

(Living in the past)

His blood has frozen, curdled with fright....
(The human emotional world tends to this so often in life....tensions, frustrations, fears....)

This sorrowful emotional world is what spiritual teachers call the 'mental lens'. This mental lens comes in the way of 'the direct experience of reality'. Or the clear perception of the surroundings and its people.

The human is not aware of this mental lens, and may not take this phrase seriously, but this is a reality. Calling this phenomenon a lens is not wrong because it distorts perception.

In other words, this phrase 'the mental lens' means that the average human lacks presence of mind. He is barely present. He is lost most of the time, in a mental haze, mental fog, the spooky realm of past and future.

For example, a drunken or drugged person can't see and hear properly. The surroundings may appear hazy etc. This is a glaring example of the mental lens...in the drunk person it has thickened due to the intoxication.

This hazy-foggy mental state is also the condition of the normal, un-intoxicated person, although to a lesser degree. But unfortunately it is not apparent to him. For example, when a pre-occupied person is at a beautiful hill station or at a beautiful beach, can he really see and feel the beauty around him? He can't. Because he is seeing everything through the 'mental lens'; his tensions, frustrations & sorrows are distorting & dulling his perception.

Summary:
All these emotions like tension, frustration & sorrow make up the 'mental lens' that comes in the way of clear perception of surroundings. Most of the time the human is not aware that his perception of the surroundings is dull.
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Update: The spiritual teacher Eckhart Tolle coined the phrase 'the mental lens'.


Emotional pain is addictive. And there's plenty of it, in the person's past. His emotional world therefore guides him there. Pain attracts more pain, wants more pain, wants to give more pain. The past is a paradise, a painful paradise for a violent emotional world. So is a painful imaginary future.
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Click here to go to Spiritual Sex Part 1.

End Note: The Direct Experience of Reality is possible only when the mental lens wanes.