Some Concepts of Use

'Death & Sleep'

When death occurs, it occurs from the point of view of the outside observer.

The person who dies, does not know that he has slipped into death.

Just like we are not aware of the point when we drift into sleep.

Only after waking up do we know that we were asleep.

So the questions that arise are:

• How do we know we are alive?
• How do we know we are not asleep?

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'Thoughts'

What we call 'thoughts' may not be generated from within us. They could be from the outside. Disembodied voices pretending to be our thoughts.

Ramesh Balsekar, a non dual teacher, says thoughts are not personal.

"Breathing goes on by itself while the deluded individual thinks it is he who is breathing. Thoughts come from outside, arising spontaneously through intervals of mental vacuum, and he thinks it is he who is thinking. The thoughts get transformed involuntarily into action, and he thinks it is he who is acting. All the while, he is doing nothing but to misconstrue the actions of the Totality as his own action." - Balsekar in the 'Net Of Jewels' (1996).

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'Memory'

Every single thought has hidden content and power to hypnotise.

For example, the word 'Blue'. It comes with associated content. Images of blue objects, and possible connections with events.

• It is possible that that the memory associated with words that come our way is false.
• It is possible that we are bombarded with false memories on a continuous basis.

The ability of so called 'thoughts' to hypnotise the human is intriguing. Some kind of a hypnotic quality is inevitably a part of these so called 'thoughts'.

But there can be times when the associated hypnotic quality weakens momentarily. In such a moment, the true nature of 'memory', i.e., false memory, can be seen.
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'Archetypes'

Ar·che·type/ˈärk(i)ˌtīp/ (Noun):
1. A very typical example of a certain person or thing.
2. An original that has been imitated.

In view of the above commentary, and in view of C.G. Jung's perspectives, it is possible that there is only the PRESENT MOMENT. In which impersonal trajectories with NO PAST are manifesting, in a random manner.

It is possible that what you see as 'you in the past' is only these trajectories, pretending to be you.

The present moment, if it was all that is, it would be always dynamic and changing its flavour. It does not get stuck in any one flavour, at any level.

Slow changing levels, medium chaning levels, fast changing levels. All superposed.




ON 'VOICES'

"Throughout history and even today there are people who hear voices who find their voices inspirational and comforting. Many researchers, practitioners and voice hearers believe it is mistaken to regard voice hearing as part of a psychopathic disease syndrome. Rather, they consider it to be more akin to a variation in human experience - a special faculty or difference that definitely does not need a cure."

False Awakening

False awakening
From Wikipedia, the free encyclopedia

A false awakening is a vivid and convincing dream about awakening from sleep, while the dreamer in reality continues to sleep. After a false awakening, subjects often dream they are performing daily morning rituals such as cooking, cleaning and eating. The experience is sometimes called a double dream, or a dream within a dream.
Contents

1 Further concepts
1.1 Lucidity
1.2 Continuum
2 Symptoms of a false awakening
2.1 Realism and unrealism
2.2 Repetition
3 Types of false awakening
3.1 Type 1
3.2 Type 2
4 In popular culture
5 References

Further concepts:

Lucidity:

A false awakening may occur following an ordinary dream or following a lucid dream (one in which the dreamer has been aware of dreaming). Particularly if the false awakening follows a lucid dream, the false awakening may turn into a "pre-lucid dream", that is, one in which the dreamer may start to wonder if they are really awake and may or may not come to the correct conclusion. In a study by Harvard psychologist Deirdre Barrett, 2,000 dreams from 200 subjects were examined and it was found that false awakenings and lucidity were significantly more likely to occur within the same dream or within different dreams of the same night. False awakenings often preceded lucidity as a cue, but they could also follow the realization of lucidity, often losing it in the process.


Continuum:

Another type of false awakening is a continuum. In a continuum, the subject falls asleep in real life, but in the dream following, the brain simulates the subject as though they were still awake. At times the individual can perform actions unknowingly. The movie A Nightmare on Elm Street popularized this phenomenon. This phenomenon can be related to that of sleep-walking or carrying out actions in a state of unconsciousness.


Symptoms of a false awakening:

Realism and unrealism:

Certain aspects of life may be dramatized, or out of place in false awakenings. Things may seem wrong: details, like the painting on a wall, not being able to talk or difficulty reading (purportedly reading in lucid dreams is often difficult or impossible,[3]) or, oddly, normal types of foods gone missing. In some experiences, the subject's senses are heightened, or changed.

Repetition:

Because the mind still dreams after a false awakening, there may be more than one false awakening in a single dream. Subjects may dream they wake up, eat breakfast, brush their teeth, and so on; suddenly awake again in bed (still in a dream), begin morning rituals again, awaken again, and so forth. The philosopher Bertrand Russell claimed to have experienced "about a hundred" false awakenings in succession while coming around from a general anesthetic.

Types of false awakening:

Celia Green suggested a distinction should be made between two types of false awakening:

Type 1:

Type 1 is the more common, in which the dreamer seems to wake up, but not necessarily in realistic surroundings, that is, not in their own bedroom. A pre-lucid dream may ensue. More commonly, dreamers will believe they have awakened, and then either wake up for real in their own bed or "fall back asleep" in the dream.

A common false awakening is a "late for work" scenario. A person may "wake up" in a typical room, with most things looking normal, and realize he or she overslept and missed the start time at work or school. Clocks, if found in the dream, will show time indicating that fact. The resulting panic is often strong enough to jar the person awake for real (much like from a nightmare). Another common example is when a person usually goes to the bathroom when woken up. The person may be 'false awakened' that he/she thought he/she went to the bathroom but in reality they were still asleep.


Type 2:

The type 2 false awakening seems to be considerably less common. Green characterized it as follows:

The subject appears to wake up in a realistic manner, but to an atmosphere of suspense.[...] His surroundings may at first appear normal, and he may gradually become aware of something uncanny in the atmosphere, and perhaps of unwonted [unusual] sounds and movements. Or he may "awake" immediately to a "stressed" and "stormy" atmosphere. In either case, the end result would appear to be characterized by feelings of suspense, excitement or apprehension.

Charles McCreery drew attention to the similarity between this description and the description by the German psychopathologist Karl Jaspers (1923) of the so-called "primary delusionary experience" (a general feeling that precedes more specific delusory belief).

Jaspers wrote:

Patients feel uncanny and that there is something suspicious afoot. Everything gets a new meaning. The environment is somehow different—not to a gross degree—perception is unaltered in itself but there is some change which envelops everything with a subtle, pervasive and strangely uncertain light.[...] Something seems in the air which the patient cannot account for, a distrustful, uncomfortable, uncanny tension invades him.[7]

McCreery suggests this phenomenological similarity is not coincidental, and results from the idea that both phenomena, the Type 2 false awakening and the primary delusionary experience, are phenomena of sleep. He suggests that the primary delusionary experience, like other phenomena of psychosis such as hallucinations and secondary or specific delusions, represents an intrusion into waking consciousness of processes associated with stage 1 sleep. It is suggested that the reason for these intrusions is that the psychotic subject is in a state of hyper-arousal, a state that can lead to what Ian Oswald called "micro-sleeps" in waking life.

Subjects may also experience sleep paralysis.

In popular culture:

False awakenings are sometimes used as a device in literature, and especially films, to increase "shock" effects by inducing a feeling of calm in the viewer following something disturbing.

A Calvin and Hobbes strip involved Calvin waking up from a dream, then stepping outside his door only to find it is an abyss, where he wakes up again, and repeats it, only to actually wake up and be incredibly frightened about leaving the house.

A twist at the end of the horror film Dead of Night (1945) is an early example of a re-occurring false awakening.

A scene in the "Lisa's Rival" episode of The Simpsons sees Lisa faint after a Saxophone battle for First Chair with her rival. She awakens and is informed she "made it", believing she made First Chair, in which Mr Largo responds with "No, you regained consciousness. Alison got First Chair." Lisa wakes up a second time, concluding the former experience was a dream, and the same events as the dream follow, in addition with "and believe me, this is not a dream!"

The film Waking Life deals with dreaming, lucid dreaming and false awakening.

The film Vanilla Sky begins with the main character having a Type 2 false awakening, achieved cinematically with "empty city" effects.

The Twilight Zone episode "Shadow Play" involved a man having a dream in which he is sentenced to die, with the various roles (judge, jury foreman, attorney, fellow inmates, etc.) being played by people from his past. At the moment he is executed, the dream re-starts, with the characters shuffled. The episode was part of the original series, and re-made as part of the 1985–89 revival.

In the first volume of Neil Gaiman's graphic novel Sandman, the newly freed Morpheus, lord of Dreams, punishes his captor, Alexander Burgess, with endless false awakening nightmares.

In Joan Baez's "The Dream Song", the lyrics discuss a dream-within-a-dream resulting from her apparent awakening. The lyrics end "When I really woke I was frozen in between; I didn't know who I was, it was a dream inside a dream; It's all a dream."

In the film Inception the dream-within-a-dream and the false awakening are central to the plot.

The Rugrats episode "In The Dreamtime" features Chuckie experiencing a false awakening.

The plot of the South Park episode "City on the Edge of Forever" is revealed to be a dream within a dream for Stan Marsh; he undergoes a false awakening as Cartman within his own dream.

In Hugo the main character has a nightmare involving a train accident that he caused. When he awakens he finds that the key is still in its place; however, he has become a machine like all the clocks around him. Reality sets back in when he finally awakens to the real world.

Dream Argument

Dream argument
From Wikipedia, the free encyclopedia

The dream argument is the postulation that the act of dreaming provides preliminary evidence that the senses we trust to distinguish reality from illusion should not be fully trusted, and therefore any state that is dependent on our senses should at the very least be carefully examined and rigorously tested to determine whether it is in fact reality.


Contents:

1 Synopsis
2 Simulated reality
3 Recent discussion
4 In popular culture
5 See also
6 Notes
7 References

Synopsis:

While people dream, they usually do not realize they are dreaming (if they do, it is called a lucid dream). This has led philosophers to wonder whether one could actually be dreaming constantly, instead of being in waking reality (or at least that one cannot be certain, at any given point in time, that one is not dreaming). In the West, this philosophical puzzle was referred to by Plato (Theaetetus 158b-d) and Aristotle (Metaphysics 1011a6). Having received serious attention in René Descartes' Meditations on First Philosophy, the dream argument has become one of the most prominent skeptical hypotheses.

In the East, this type of argument is well known as "Zhuangzi dreamed he was a butterfly" (莊周夢蝶 Zhuāngzhōu mèng dié).

One night, Zhuangzi (369 BC) dreamed that he was a carefree butterfly, flying happily. After he woke up, he wondered how he could determine whether he was Zhuangzi who had just finished dreaming he was a butterfly, or a butterfly who had just started dreaming he was Zhuangzi. This was a metaphor for what he referred to as a "great dream":

He who dreams of drinking wine may weep when morning comes; he who dreams of weeping may in the morning go off to hunt. While he is dreaming he does not know it is a dream, and in his dream he may even try to interpret a dream. Only after he wakes does he know it was a dream. And someday there will be a great awakening when we know that this is all a great dream. Yet the stupid believe they are awake, busily and brightly assuming they understand things, calling this man ruler, that one herdsman ‑ how dense! Confucius and you are both dreaming! And when I say you are dreaming, I am dreaming, too. Words like these will be labeled the Supreme Swindle. Yet, after ten thousand generations, a great sage may appear who will know their meaning, and it will still be as though he appeared with astonishing speed.

Some schools of thought in Buddhism (e.g., Dzogchen), consider perceived reality literally unreal. As a prominent contemporary teacher, Chögyal Namkhai Norbu, puts it: "In a real sense, all the visions that we see in our lifetime are like a big dream [...]".[2] In this context, the term 'visions' denotes not only visual perceptions, but appearances perceived through all senses, including sounds, smells, tastes and tactile sensations, and operations on received mental objects.

Simulated reality
See also: Simulated reality and Simulation hypothesis

Dreaming provides a springboard for those who question whether our own reality may be an illusion. The ability of the mind to be tricked into believing a mentally generated world is the "real world" means at least one variety of simulated reality is a common, even nightly event.

Those who argue that the world is not simulated must concede that the mind, at least the sleeping mind, is not itself an entirely reliable mechanism for attempting to differentiate reality from illusion.

“Whatever I have accepted until now as most true has come to me through my senses. But occasionally I have found that they have deceived me, and it is unwise to trust completely those who have deceived us even once.”

—René Descartes.

Recent discussion.

Many contemporary philosophers have attempted to refute dream skepticism in detail (see, e.g., Stone (1984)). Perhaps most notably, Ernest Sosa (2007) has devoted a chapter of a recent monograph to the topic. There, Sosa presents a new theory of dreaming and argues that his theory raises a new argument for skepticism, which he attempts to refute. Jonathan Ichikawa (2008) and Nathan Ballantyne & Ian Evans (2010) have offered critiques of Sosa's proposed solution.


In popular culture.

In Lewis Carroll's Through the Looking-Glass, Alice finds the Red King asleep in the grass; Tweedledum and Tweedledee tell her that the Red King is dreaming about her, and that if he were to wake up she would "go out—bang!—just like a candle." A similar theme is explored in The Legend of Zelda: Link's Awakening, told from the perspective of the dreamer in his own realm of dreams.

In the 1999 movie The Matrix, machines imprison the human race and plug them into "the Matrix", an enormous machine system that uses human bioelectricity and body heat as a biological battery to power the machines. Connected to the Matrix, the humans are kept in a dream-like state, in which they dream of being in the world as it is today; they have no reason to suspect that it is anything other than the real world. Certain people sense the innate artificiality of the illusion and, through various means, "wake up", breaking free of the Matrix. The overall theme of the series is the "waking dream" scenario, and speculations on which reality is preferable. This concept is further explored during the second Matrix film where one of the main characters appears to be able to utilize abilities usually used in the "dream" in what the character currently believes is "reality", leaving the viewer to question if the character is in fact in reality, or if they are still inside the dream.

In the original television series The Twilight Zone, the episode Shadow Play (written by Charles Beaumont, originally aired May 5, 1961, Season 2, Episode 26) concerns a man trapped in a recurring nightmare in which he dreams he is a prison inmate sentenced to death and to be executed; he tries to convince the characters in his dream that they are only figments of his imagination and that they will cease to exist if the execution is carried out.

Richard Linklater's Waking Life deals mostly with this subject, revolving around a man being aware of having been trapped inside his own dream.

Christopher Nolan's movie Inception deals with the fictional science of shared dreaming. The characters enter others' minds, to steal ideas, or in the rare case of inception itself, plant them while the target is unaware they are dreaming. Once in a dream, the characters can enter other layers or dreams within dreams. In the movie, characters can distinguish a dream by using totems which are unique items weighted or otherwise distinguishable to help the user determine reality. In the end, the film leaves open the question of whether the protagonist is himself dreaming.

Films such as Total Recall and Blade Runner, which are both based on stories by Philip K. Dick, also hinge upon the idea that what you remember and perceive is not always real.

Metal Gear Solid 2: Sons of Liberty greatly explores the protagonist's Raiden's (and by extension, the player's) diminished sense of reality, and that what you perceive may not be what is truly reality.

Ted Dekker's Circle Series protagonist wakes up in an alternate reality every time he goes to sleep.

In the ninth episode of the fourth series of the science fiction television series Doctor Who, "Forest of the Dead", the Doctor's companion Donna is "saved" into the Library's hardrive and begins to live out an imaginary and fake reality, she is oblivious to the reality she is living is an illusion, until a disfigured woman who had been killed in the 'real' world and respectively submitted into the hardrive convinces her that her life is not real.


See also.

Consensus reality
Evil demon
False awakening
Maya (illusion)
Meta-universe
Reality in Buddhism
Simulated reality
Social simulation
Solipsism

The Cosmic Womb

INTRODUCTION:
The tree lives in you
the beautiful music lives in you
the greenery lives in you
and that is why they live outside of you

The air lives in you
that is why it lives outside of you
sustains you every second
it will never go away
even if you do not thank it
because that's its job.

Life's job is to keep you alive
and it will.

An interesting question asked in a Philosophy Group I participate in sometimes.

"Why do we breathe?"

I believe breathing is a manifestation of a very deep, seamless connection we have with our environment. A living connection. It keeps us alive.

In fact, from what can be referred to as the LIVING PERSPECTIVE, it may not be wrong to compare "a human living on earth", with "a child in the womb".

If phrases like 'deep interconnectedness' and 'sustainability' are used as the guiding perspectives, then it is easy to see the above mentioned parallel.

The unborn child emerges from the material of the womb, and lives in a state of deep connectedness with the womb. Gets blood, oxygen, nutrition from it, which is the unborn child's complete universe.

The unborn child's connection with its environment is a living connection.

The earth sustains us in the same way. Breath, food, shelter from extreme forces, pressures, temperatures and killer radiation that lie beyond the earth's atmosphere.

Our connection with our environment is a living connection.

Some hindus hold the perspective that the entire cosmos is a womb.

And when the human becomes sufficiently developed, he exits the earth-womb, but only to enter a different womb.

Perhaps what we perceive as death is childbirth into something newer. Death of the caterpillar is birth of the butterfly. The paradigm shifts. The environment changes.

If you have seen Stanley Kubrick's movie 'A Space Odyssey', in this movie, in the final scene - the STARCHILD is shown. An unborn child in open, deep space.

This unborn child represents the next stage in human evolution. And by putting him in outer space, Kubrick is trying to instill the cosmic womb perspective.

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Question: So why use the word 'WOMB' in place of the word 'environment'. What use is it?

Answer: The word 'environment' is a detached, clinical viewpoint. It's not wrong, but it's not sufficient to explain life.

'WOMB' is a word that points to the existence of deep feelings of nurture. And since life cannot be founded on anything except feelings, the word 'WOMB' instills the living perspective.



The tree lives in you
the beautiful music lives in you
the wind lives in you
the thunder lives in you
the greenery lives in you
food shelter drinking water
nurture, air

all live in you

and that is why they live around you

Attached images:

1. Painting by artist Sonali Chaudhari of Feminine Creations

2. StarChild image from Stanley Kubrick's 'A Space Odyssey'(1967).

Memory Lane - Part I

They were neighbours and wonderful friends. They also attended the same school. She was one year his senior.

One day as they were sitting and talking, after school hours, he could not help but notice how exceptionally erotic she looked that day.

She's continuous erotica, he thought to himself, as they continued their conversation. She was telling him what someone at school had said to her, but he could barely focus on what she was saying. His mind was saturated. Obsessed.

He'd been madly in lust with her for three years now. But he never mentioned it to her. Felt pretty awkward. He didn't want to come across as stupid. Or some desperate freak.

He was sure she had noticed his feelings, but pretended as if she had no clue.

Their talk very rarely involved comments of a personal nature. Their talk revolved around events at school. Things going on in the neighbourhood, etc.

So she never saw it coming.

Suddenly he said, "Listen, there's something I want to say...but...am afraid that if I do, you might never want to speak to me again."

"What?! Don't Understand!" , She said.

He looked straight at her for a couple of seconds, almost staring.

"Not really easy to say what I want to."

"Why?" She asked. He could see that her expression was serious. Dead serious.

"Let it be. I changed my mind. I gotta go, see you later." He said.

And he left. And as he walked way, he was wondering what she was thinking about. He knew her mind had hit 'Red Alert' instantly....and that made him nervous.

He knew she knew he was in lust with her. Over the years, he had done many strange things in her presence, without wanting to. Like stare at her breasts. Her legs. Her arms...lips..On many occasions he had ended up trying to look up her skirt. Or down her blouse.

So he was sure she knew. But she never let it show. She never made him feel uncomfortable. Never ignored him, was never rude. Suddenly he felt grateful for the way she had been treating him. Because he felt vulnerable. His lust for her made him vulnerable.

And as he walked, he started fantasising about a situation in which he walks up to her and just blurts it out. No bullshit. No vague, cute things. Just blurts it out....'I WANT TO FUCK YOUR BRAINS OUT.'

"What if I did it?" He asked himself. "We have been friends for many years. If she hates me for expressing my lust for her openly, I'll apologise. She might not break the friendship. She likes my company."

But he wasn't ready yet. It was so damn awkward..... :-/

CHAPTER 2 --

School was off for summer, and he was glad. Because he just didn't want to run into her, not for a long time.

But since she lived in the neighbourhood, it was going to be difficult to not run into her.

He was afraid he might blurt it all out prematurely...because offlate he had been spending hours and hours every day, fantasising about her. Sometimes in her school skirt, sometimes in her tennis skirt. Sometimes in her tight jeans, heels, and the sheer, almost see-thru, sleeveless tops that she used to wear, in summer.

To be continued....